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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell with Marc Almond in Leeds in 1977

Dave Ball, one half of the pioneering 1980s synth-pop band Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the duo achieved a worldwide hit with their cover of Gloria Jones' the classic track Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a classic of electronic music.

He later formed the innovative techno group The Grid, who secured chart success with their 1994 single the hit Swamp Thing.

Ball died calmly in his rest at his home in London on October 22, only a short time after playing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Health Struggles

During that show, Ball appeared in a mobility chair, as he had for the previous couple of years, after a period of health issues.

"I ended up damage myself quite a bit," he stated in a recent interview. "I broke spinal bones in my back and cracked about multiple ribs and broke my wrist."

After catching pneumonia and developing sepsis, he was put in an medically-induced sleep and stayed in the hospital for half a year.

Nevertheless, he had been in "high spirits emotionally" over the warmer months, as he worked on a new album with Almond, called Danceteria, which is scheduled for release in the coming year.

"He was concentrated and so happy with the latest project that we actually finished only a few days ago," stated the singer in a tribute.
"It's so sad as next year was all set to be such an uplifting year for him, and I find comfort from the fact that he listened to the finished record and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the forefront of the synth-pop movement in the early 1980s

Heartfelt Messages

Almond described his bandmate as "a wonderfully brilliant musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Many thanks Dave for being an significant aspect of my life and for the songs you gave me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, shared his condolences, recalling Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from being in a group, the connection is incredibly close," he continued.
"That was the case with us. We went through so many extraordinary, extraordinary, memorable experiences together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Brought into the world into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was 18 months old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his given name from his birth name to David, alongside his sibling his sister, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both studying art. Inspired by a shared love of Northern Soul, they formed Soft Cell the very year, and quickly produced an extended play.

Creative Collaboration

The duo were an unusual pairing: Ball was the quiet musician, hunched over his keyboard, while Almond was a flamboyant performer, all glitter and makeup; but they achieved a unique creative synergy.

Ball had cultivated a fascination with synthesizers after watching the band Kraftwerk appear on BBC program Tomorrow's World, and began to marry dark electronica to the soaring melodies Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of the early 80s, shifting millions of copies globally. Together with successful tracks by other artists, contemporary bands and electronic acts, it helped paved the path for the electronic music style of the 1980s.

The song was also featured on their first album, Non-Stop Erotic Cabaret, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Fame had its upsides. "I enjoyed being able to afford my initial property, having money and travelling, which might seem like a beauty queen," Ball recently told with a publication.

But it also presented challenges. "Newfound wealth meant we could afford substances to alleviate the monotony" of press appearances and television shows, Ball said.

"I know that's a common saying, but it's a truism for a valid cause, because it works for so many bands."

Amidst the party-filled existence, the duo were also growing distant, but they succeeded to produce a second memorable record - the wayward, tense and aptly-titled The Art Of Falling Apart.

They released another LP, 1984's This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond went on to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed acid house with melodic sounds over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell reunited in 2001, releasing the Top 40 album Cruelty Without Beauty.

Following a further break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on 30 September, that year.

However, they stayed active, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the band's new album as a homage to the NYC nightlife they visited while making their initial records.

He added that his period in medical care had shaped the group's music.

"I experienced unusual memories when I was in and out of hospital because I was on morphine," he explained to a music magazine.
"The new songs are a digital reflection of the sounds in my mind from those days.
"In parallel, it's about the times me and Marc had in the 80s."

The final mixes were finished only a short time before Ball passed away. It is due for release in the spring of 2026.

About the author

Cindy Adams

Elara Vance is a financial analyst with over a decade of experience in market research, specializing in precious metals and global economic trends.

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