Produced by Portishead co-founder the musician-producer, this scabrous though undernourished first film casts a critical gaze on the ecstasy-fueled club scene. Venal drug user David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to burgle his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with impatience toward city dwellers, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
Unsteady Opening and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the ecstasy generation were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David kills his dog. Still, a darkly funny duel takes hold – David desperate to escape; the Woodsman withholding his jerrycan of cider, intent on dousing him instead in resentful talk. Williamson, projecting ponderous menace in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
There is only one key story turn, but it results in a hilariously staged rampage on the forest trails that veers toward folk horror. Director John Minton at last unleashes with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the early stages, he now lets rip with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film releases in British and Irish cinemas from 17 November.
