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Dance Star Matthew Ball on Demanding Roles and Social Media Scrutiny: 'I'm Not Precious About My Body'

In the hushed ambiance of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His posture is effortlessly upright, his arms defined beneath a plain white T-shirt. During performances, dancers can appear as mighty deities, yet often in person they are petite. Not so Ball, whose tall stature is one reason for his demand for heroic characters and pas de deux work. With delicate features and intense eyes, there's a hint of a brooding actor about him.

A Seamless Rise to the Pinnacle

Now 31, Ball is enjoying the peak of a career that has progressed seamlessly. Growing up in Liverpool, he faced little teasing for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved straight into the troupe and was promoted annually, attaining the highest position of principal in 2018. He has loved tackling meaty dramatic roles, especially the psychological angst found in a famed choreographer's works.

"Your breath is short, your legs get heavy, but it’s really a mental fatigue."

His upcoming featured appearance is in a talk, in an "Evening With" series aiming to offer intimate insights into a dancer's craft. He will guide the audience through a role, demonstrating his mental process while performance. Even in lighter works, the challenge is significant. "Don Quixote is one of the toughest technically," he notes.

The Psychological Struggle and After the Show Feelings

How does he feel following a show, when he has pulled it off? "It feels pretty good," he says. "However because I'm trying to extract all the juice out of it, and get immersed in the role, quite often I do feel self-conscious afterwards. Following an intense role I'm always like: Wow, what must people think?"

Offstage, Ball is thoughtful, polite, and quick to laugh at himself. But a choreographer previously observed on a "kind of suffering in him." Is there? "I'm quite active usually, but I do have a melancholy streak," he confesses. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an instigator for good change."

Formative Motivations and Creative Influences

Ball's tenacity originated in youthful experiences. Not excelling in contests at school made him "vengeful!" This became motivation to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit fanatical," he recalls.

The next endeavor is making his own dance works. For Ball, "organic movement has value." "Breaking the conventions is interesting, but just pretending that they’re not a thing any more – I don’t know how far you can go with that." He wants his work to be loaded with meaning, drawing ideas from books, music, and painting.

Intimate Dance and Private Partnership

He additionally favors staging dance in smaller spaces. "It was just really exciting," he says of a past show. "You’re so close to the audience. I felt as if they were thinking: 'That’s a person, and they’re perspiring.'"

Ball has made duets with his girlfriend, fellow lead dancer Mayara Magri. The degree of faith between them is clear. "We tried it out on the beach first," he says of a daring lift. "It resembled Dirty Dancing." The couple are not usually paired on stage at their main theater, which might be beneficial. "We’re both quite determined people, so it’s not always hunky dory," he admits. "But I feel like we’re each other’s biggest supporter."

On Social Media and Physical Perception

On social media, fans can see videos from his projects and photos that highlight a athletic physique. Does he care that the response can be somewhat objectifying? Not really. "The body is just what we work with, so I don’t feel very protective about it," he explains. He relates it to seeing Michelangelo’s David—an object that can be interpreted on various levels.

Ball describes his younger self as "eager for success." Has it lived up to his hopes? "I am conscious of how reality is a different reality to the aspirations you made as a child," he muses. He likely has another ten years of dancing left. "I guess in the future, I want to be a bit more kind with myself."

About the author

Cindy Adams

Elara Vance is a financial analyst with over a decade of experience in market research, specializing in precious metals and global economic trends.

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